Webcam chat with Robert Duvall /

TBD

Questions (21)


nathan099: Money is always an issue even when you have a great script and decent actors... for the independent filmmaker where is the best place to start looking for financial backing and investors? Bake sales are nice but I don't think they are enough to even cover the insurance on a feature film (lol 4 real).

359

take2la: With over 50 years in the film industry at all levels ( inc early broadcast tv) what is your assessment of the state of the biz now, from an actors viewpoint? Where do you think we are heading? What do you think is the most exciting and compelling media or genre? Why?

518

Kayse: What's it like working with the Caan men? What elements/characteristics do each of you bring to Openfilm?

674

GregRichters: If you are an unknown, unproduced filmmaker it is hard to get your work close to any agent due to solicitation issues. Can openfilm.com help with that?

515

MRussell: What traits do you look and hope for when working with a new director on set?

521

icjr: I am honor to converse with a man who knows what he likes...thanks for all the roles you have played...Especially Apogolsyp ...Quest: How do feel about creating a resource based economy as well as eliminating the market system none as M2 or M3 ...Just a thought. Thanks for all that you do...PS How do feel or have you seen...Scott Nobles Psywar and Human Resource Thanks

527

MOTHERSBABY19: MR. DUVALL,
WHEN MY EYE'S MET YOUR'S AT THE "MARY PICKFORD BUILDING ON VINE AND SUNSET
THE NIGHT YOU AND MS. SISSY WERE THERE , WE PASSED EACH OTHER BY GOING
TO THE REST ROOMS, I KNEW IT RIGHT THEN AND THERE, WE WILL SHARE THE SAME
SILVER SCREEN SOMEDAY! WHAT CAN I ASK YOU RIGHT NOW ? IS WHEN?
YOURS TRULY,
NANCY LEE KELLY/SAG/ACTRESS

554

filmcast: Hey Robert !, Have you ever met Oliver Stone ?

829

jerryodonnell: if someone sends you a script somehow, and you really would like to do it, would you work to get more people involved that can help the film be made at a higher level, or just say I would love to doit and let the screenwriter and his side take the reigns . Or is it a case by case basis?

830

deathmember: i was wanting to moviehow you ended up doing the terry fox story one of canada's treasures and a gre

831

bevanklassen: Story is the foundation of a great movie. As a producer/director I am always looking for screenplays that resonate with themes and ideas I want to develop. Would you consider making Openfilm a place where screenwriters, directors, and producers can meet to partner on ultra-low budget projects?

832

AmbrosiaLanley: Hello Mr. Duvall,
I make films called machinima. I was wondering if you have ever heard of machinima? If you have do you feel machinima will ever be noticed by film makers as a way of producing a film to where talent can be noticed?
Thank You
Ambrosia St. james
aka Ambrosia Lanley

833

hoosier0893: i find that independent films are the best when it comes to subjects like chronic illnesses, epilepsy, ms,etc. I am a huge fan of you and hope to see you and your co-members further this this type of film. I ask that you and other members of this site ask for and share ideas for these topics for not only film, but also theatre, music and tv. Thank you for your time. Jessica in Indiana

622

hawaiifive0online: Do you have one favorite role that you've portrayed and which one is it?

675

Elischa34: In your opinion what do you consider a good script? Is there certain genres that you feel people are more accepting to?

676

eomer41: What factors make it so difficult to find a good script for a movie?

677

jerry2: Hey Robert
I'm a big fan,love your work, just trying to figure out how to find a
producer for a great script i am currently writing

678

alkeme: If you could choose the role of playing any historic figure who would it be and why?

679

User2259: What are keys to be a good director ?

680

DRaGZ: What do you think is the best path for a writer/director to pursue if they want to make a feature-length film? Specifically, I have written a feature-length script, I’ve taken parts of the first act of that script and recapitulated it into a short film, and I’ve shown the short film at a few festivals (most of which I could not attend because they were in a completely different state and I don’t have the money to travel very far). But, I am unsure about how to actually use all that to attract investors. What types of sources are there to approach for this sort of funding? At this point, is it appropriate to be seeking an agent, literary or otherwise, and have him/her help me look for funding?
Basically, is there a typical way for a writer/director to attract investors for funding a feature-length film he really believes in? I know Wes Anderson used a short film to attract funding for a feature-length version with “Bottle Rocket”, Jared Hess did this with “Peluca”/”Napoleon Dynamite”, James Wan with “Saw”, Neill Blomkamp with “Alive in Joburg”/”District 9”, Billy Bob Thornton with “Sling Blade”, the list goes on and on. But I am unsure of how they got from point A, the short film, to point B, the film. I know it’s different for each case, but are there any examples you know of?

509

windlaurel: Do you like being famous?

511

Our Guest

Academy Award winner Robert Duvall is undoubtedly one of the greatest American actors who has worked consistently for over five decades. Duvall’s vast experience and dedication to the craft make him an invaluable resource for the Openfilm community.